 | From María África to María Montez, A myth in Technicolor (2014)
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 | The Bronze Screen: 100 Years of the Latino Image in American Cinema (2002)
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 | Jean-Pierre Aumont, charm and laughter (1999)
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 | La vendetta del corsaro (1951)
Consuelo |
 | Schatten über Neapel (1951)
Dolores |
 | Amore e sangue (1951)
Dolores |
 | Il ladro di Venezia (1950)
Tina |
 | Portrait d'un assassin (1949)
Christina de Rinck |
 | Hans le marin (1949)
Dolores - the coach |
 | Siren of Atlantis (1949)
Queen Antinea |
 | Pirates of Monterey (1947)
Marguerita Novarro |
 | The Exile (1947)
Countess Anbella de Courteuil |
 | Tangier (1946)
Rita |
 | Sudan (1945)
Naila |
 | Bowery to Broadway (1944)
Marina |
 | Gypsy Wildcat (1944)
Carla |
 | Cobra Woman (1944)
Tollea / Naja |
 | Ali Baba and the Forty Thieves (1944)
Amara |
 | White Savage (1943)
Princess Tahia |
 | Arabian Nights (1942)
Sherazade |
 | The Mystery of Marie Roget (1942)
Marie Roget |
 | Bombay Clipper (1942)
Sonya Dietrich Landers |
 | South of Tahiti (1941)
Melahi |
 | Moonlight in Hawaii (1941)
Ilani |
 | Raiders of the Desert (1941)
Zuleika |
 | That Night in Rio (1941)
Inez |
 | Lucky Devils (1941)
Bathing Beauty (uncredited) |
 | The Invisible Woman (1940)
Marie |
 | Boss of Bullion City (1940)
Linda Calhoun |